George Eastman Museum

In the late 1800s photography was a difficult, messy craft that demanded bulky gear, glass plates, and chemical skill. George Eastman, a young Rochester bank clerk with a knack for invention, set out to make it simple. He developed flexible roll film and, in the 1880s, a small box camera sold with the slogan that the customer pressed the button and the company did the rest.

The result transformed the world. Suddenly anyone could make photographs, and the family snapshot was born. Eastman built Kodak into a global company centered in Rochester, and he became one of the wealthiest men in the country. He was also a major philanthropist, giving away fortunes to education, music, dentistry, and his adopted city, often anonymously.

Eastman built his mansion on Rochester's East Avenue between 1902 and 1905, a stately Colonial Revival house of fifty rooms filled with fine woodwork, a soaring conservatory, an organ, and a picture gallery. A devoted lover of music, he had the house designed so that concerts filled its rooms, and he entertained often.

The house is preserved and restored to reflect the years Eastman lived there, from the grand public rooms downstairs to his private quarters above. One striking feature is the great hall's proportions, which Eastman once had altered by sawing the whole room apart and rebuilding it wider to get the effect he wanted, a story that captures both his exacting eye and his means. Walking through it today is a window into the life of an American industrialist at the height of the Gilded Age.

After Eastman's death the mansion became a museum, and it grew into the oldest institution in the world dedicated to photography. Its collections are vast, holding photographs from the very dawn of the medium, an enormous array of historic cameras and equipment, and one of the most important motion-picture archives anywhere, including rare early and silent films.

The galleries mount changing exhibitions drawn from these collections, tracing how the photograph and the moving image evolved and shaped modern life. The museum is also a working center for film preservation, restoring fragile old movies frame by frame, and it trains conservators in caring for photographic and film materials. It is both a shrine to Eastman's invention and a living guardian of the images the world has made ever since.

Around the mansion spread formal gardens that Eastman prized, with terraces, a library garden, and beds of seasonal flowers arranged in the geometric style of the period. He was an enthusiastic gardener and had the grounds designed as an extension of the house, meant to be enjoyed from its windows and terraces.

The gardens have been restored to their early-20th-century plantings and are a pleasure to walk in the warmer months, a quiet green counterpoint to the galleries. Together the house, the collections, and the grounds make the estate a place where the story of one inventor opens outward into the whole history of the image.

The closest Boutel™ stays, so you can turn this stop into an overnight. Each is an independently owned, editorially selected place to stay.