The Egg and Empire State Plaza

The plaza grew from Governor Nelson Rockefeller's determination to remake the center of Albany into a monumental seat of state government. Construction began in the 1960s and stretched into the 1970s, clearing dozens of blocks of an old, dense downtown neighborhood to make room for the towers and open platform.

That clearance remains part of the story, having displaced thousands of residents and erased a historic quarter, and it is often cited in debates over mid-century urban renewal. What rose in its place was intended to project power and permanence: gleaming marble, water, and space on a scale meant to rival the great capitals, a statement in stone about the ambitions of the state.

The Egg is the plaza's signature. Designed as a performing arts center, its smooth, curving shell rises from a narrow pedestal that reaches down several stories into the platform below, so the great oval seems almost to float. Inside are two theaters, and the building has become a beloved and instantly recognizable landmark, whatever people think of the plaza around it.

The rest of the complex is severe and geometric: a row of tall office towers, the state museum's low slab, and the soaring Corning Tower, long among the tallest buildings in the state outside New York City. Reflecting pools run the length of the promenade, doubling the towers in still water, and the whole ensemble reads as a single, deliberate composition.

One of the plaza's quiet surprises is its art. Governor Rockefeller assembled a large collection of modern American painting and sculpture to fill the complex, and much of it hangs along the underground concourse that links the buildings, one of the biggest public collections of its era in the country.

Walking the concourse becomes an open gallery stroll past major works of mid-century abstraction and beyond, sheltered from the weather and open to anyone passing between the buildings. Large outdoor sculptures stand on the platform above as well, so art threads through the whole site rather than sitting behind museum walls.

In the warm months the plaza comes alive with festivals, food fairs, concerts, and holiday fireworks, and the open platform and reflecting pools draw crowds and lunchtime strollers. Spring and summer are the liveliest times to catch an event on the great promenade.

Fall and winter turn the plaza quieter and more austere, when the marble and water take on a stark beauty and the indoor concourse, museum, and observation deck become the draw. In any season the Corning Tower observation deck offers a sweeping look across Albany, the Hudson Valley, and, on a clear day, the distant mountains.

The closest Boutel™ stays, so you can turn this stop into an overnight. Each is an independently owned, editorially selected place to stay.