Longwood Gardens

The land had been a Quaker farm and arboretum for generations, planted with specimen trees by the Peirce family beginning in the early 1800s. When those trees were threatened with the axe in 1906, Pierre S. du Pont, an industrialist of the du Pont chemical family, bought the property to protect them. That rescue became a lifelong passion.

Over the following decades du Pont poured his engineering mind and his fortune into the gardens, building the vast conservatory that opened in 1921 and the elaborate waterworks that made Longwood famous, drawing on the great fountain gardens of Europe he had admired in his travels. He entertained lavishly and staged fountain and fireworks shows for guests. Before he died he placed the estate in a foundation so that it would remain a public garden, which it has been ever since. The Brandywine country around it was long the ancestral homeland of the Lenape people, whose descendant nations continue elsewhere today.

The conservatory is the wonder that keeps Longwood alive through the cold months, a grand hall of glass filled with palms, orchids, and seasonal displays that are changed out through the year. Wander its connected rooms and you pass from a formal indoor garden to a hall of ferns to displays that turn over with the calendar, all warm and blooming while snow may lie outside.

The Main Fountain Garden is the other showpiece, a formal expanse where hundreds of jets, some rising very high, play in patterns set to music, lit in color after dark during the performance season. Du Pont, a lover of both engineering and spectacle, designed the systems himself, and the modern restoration kept the grandeur while adding new capabilities. Beyond the main garden, smaller fountains and water features thread quietly through the grounds.

Longwood is far more than its showpieces. Formal gardens, an Italian water garden, a topiary garden, a rose garden, and long tree-lined allées give the estate its European bones, while the surviving Peirce trees, some well over two centuries old, anchor it to the farm it once was.

In recent decades the gardens have leaned into wilder, native landscape as well, with a large restored meadow laced with paths, alive in warm months with grasses, wildflowers, birds, and butterflies. That mix, grand geometry giving way to loose native meadow, is part of what makes a long walk here feel like several gardens in one.

Spring is a riot of bulbs, flowering trees, and fresh green, one of the most beloved times to walk the outdoor gardens. Summer brings full fountain performances, long evenings, and the meadow at its height.

Fall lays color across the trees and the Brandywine hills and quiets the crowds a little. Winter is when the conservatory earns its keep, blooming and warm, and it is also the season of the celebrated holiday display, when the gardens glow with lights and decorated trees indoors and out. Because so much lives under glass, there is no truly off season here.

The closest Boutel™ stays, so you can turn this stop into an overnight. Each is an independently owned, editorially selected place to stay.