Detroit Institute of Arts and the Rivera Murals

Founded in the 1880s, the Detroit Institute of Arts grew alongside the booming auto city, and its grand marble building opened on Woodward Avenue in 1927, funded by the wealth of Detroit's industrial age. Over the decades it assembled a collection of world importance, from Van Gogh and Bruegel to a renowned trove of African American, African, and Native American art.

The museum's bond with its region was tested during Detroit's bankruptcy in the 2010s, when its collection was nearly sold to pay the city's debts. A rescue known as the Grand Bargain, joined by foundations, the state, and the museum itself, saved the art and secured its future. Residents of the surrounding counties had already voted to tax themselves to support it, and today those residents enter without charge, a rare bond between a city and its museum.

In 1932 the museum's director and Edsel Ford, son of Henry Ford, commissioned the celebrated Mexican muralist Diego Rivera to paint the walls of the museum's central courtyard. Rivera spent nearly a year studying the Ford Rouge auto plant and its workers, then covered all four walls in fresco with a sweeping vision of Detroit's industry, its assembly lines, its laborers of every background, and the science and technology of the age.

The finished cycle, painted directly into wet plaster in the old Italian fresco tradition, was controversial in its day, attacked by some as radical and irreligious. It endured, and it is now regarded as Rivera's greatest work and a defining monument of American public art. To stand in the Rivera Court is to be surrounded by the human story of the industrial city that built the museum.

Around the Rivera Court, the museum's galleries hold treasures spanning the world and the centuries: Egyptian and Mesopotamian antiquities, medieval armor, European painting from the Renaissance forward, and one of the country's important collections of African art. American galleries trace the nation's art from colonial portraits to modern masters.

The building itself is part of the experience, with a skylit Great Hall, marble courtyards, and grand staircases in the Beaux-Arts style. It is the kind of encyclopedic museum where a visitor can wander from ancient sculpture to Impressionist landscapes to contemporary work in an afternoon, all under one monumental roof.

The museum stands in Midtown, Detroit's cultural district along Woodward Avenue, near Wayne State University, the Detroit Historical Museum, the Charles H. Wright Museum of African American History, and the main public library. Downtown, the revitalized riverfront, and the island park of Belle Isle are all a short drive away.

Detroit sits in Anishinaabe homeland, long a gathering place for the Ojibwe (Chippewa), Odawa (Ottawa), and Potawatomi peoples of the Three Fires Confederacy, along with the Wyandot, whose communities lived and traded along the Detroit River. The city's name comes from the French for the strait, the narrows between the lakes that made this a crossroads long before it became the capital of the American auto industry that Rivera painted.

The closest Boutel™ stays, so you can turn this stop into an overnight. Each is an independently owned, editorially selected place to stay.